Stella McCartney Senior Creative Producer / Jan ‘23 - Present

• Responsible for the production of all content creation including, but not limited to, fashion shows (livestream, backstage content, runway imagery), all major campaign shoots and events from briefing to final delivery.

• Identify any efficiency and process changes that can be improved in existing workflows to manage or redistribute resources where needed, and communicate any late delivery or major issues to other Departments, working together to resolve.

• Manage relationships with all licensing partners (Adidas x Stella McCartney - aSMC, Kidswear, Lingerie & Swim, Beauty, Eyewear), representing Stella McCartney from an in-house production perspective.

• Managing all department costs and insuring all projects stay within an allocated budget.

PANGAIA Head of Creative Production / Jul-Dec ‘22

• Oversee End-To-End Creative Production, from briefings to final delivery on major Campaigns including Photoshoots, Events and Retail Assets/ Content, & Special Projects, planning for short and long term creative requirements, and adapting to business needs.

• Responsible for forecasting and managing annual budgets and spend for the Creative Department. Liaise closely with Finance and Head of Brand and Content to ensure the team are working as cost efficiently and strategically as possible.

• Identify any efficiency and process changes that can be improved in existing workflows to manage or redistribute resources where needed, and communicate any late delivery or major issues to other Department Heads, working together to resolve.

• Manage any new workflow introduced to the creative services department and communicate effectively across all teams so they are clear on their remit and deadlines.

• Responsible for reviewing and driving performance of the Production and Creative teams, supporting their growth and development, as well as meeting business KPI’s.

• Contribute to Creative headcount management/ resource planning and support with HR issues, as well as managing all temp bookings and contracts via HR.

• Liaise with in-house legal team on all usage, licenses, brand trademark and agreements and ensure the department is working in accordance with these, managing copyright and legal issues and ensuring safety of assets.

PANGAIA Creative Production Manager / Jan-Jul ‘22

• Oversaw end-to-end production of all creative campaigns

• Built and developed the production team

• Developed and implemented more efficient processes

• Built talent relationships

PANGAIA Creative Producer / Aug ‘20- Dec ‘21

• Developed the brand vision for each channel with the Creative Director

• Created shoot schedules for both Ecom and Creative, and was responsible for all areas of production

• Oversaw and managed the annual Creative budget

Mulberry Shoot Producer / Mar- Apr ‘20

• Implemented production processes within creative team (shoot calendar, budget tracking, timelines, schedules)

• Oversaw artist and location research for upcoming shoots based on creative briefing

• Managed end-to-end production of creative still life shoots for both video and stills

Treatwell Creative Producer / Oct ‘19- Feb ‘20

• Managed the schedules and workload of a team of Motion Graphics designers in London, and Graphic Designers in Amsterdam, ensuring all deadlines were met

• Produced and directed still and moving social assets, casting and shooting internally to ensure inclusivity and diversity, whilst adhering to brand guidelines

• Managed the pre and post production of all larger campaign shoots, including OOH campaigns

I Heart Studios Senior Account Manager & Producer / Oct ‘18- Oct ‘19

• Client and relationship management (50+)

• Creative and Ecom Production

• On set management of all team members and shoot schedule

Farfetch Junior Creative Producer / Jan- Oct ‘18

• Managed end-to-end production of weekly and seasonal Editorial shoots (global) and all bookings

• Arranged and held model castings and meetings with photographers, stylists, set designers and artists

• Managed the annual Creative budget

• Mediated between artist agencies and Farfetch's legal team to ensure all contracts are compliant with company standard

Sahara London Ecom Shoot Producer / Jan- Dec ‘17

• Maintained all E-Commerce shoot schedules and booking calendars

• Created shoot and image upload schedule/ organised product deliveries to ensure online product launches coincided with stores

• Liaised with retouchers and studio staff to maintain a standard of quality throughout the site- lighting tests, coherent background colours, etc.

AllSaints Creative Production Intern / Oct- Nov ‘16

• Assisted on seasonal campaigns and lookbooks

• Managed model castings, transport and accommodation, and all general admin. bookings

• Managed onset budgets and company expenses

• Assisted in styling preparation and model fittings prior to each shoot